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Feminine Horror

Jan 27 '13

“No one ever thinks chicks do shit like this. A girl can only be a slut, a bitch, a tease, or the virgin next door. We’ll just coast on how the world works.”

1,871 notes (via neuroticmarshmallow & gorhamdoll-deactivated20121010)

Oct 25 '12
It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.
— Bela Lugosi (The original Dracula)

(Source: horrorplusgore)

1,344 notes (via harlow-jean & horrorplusgore)Tags: vintage bela lugosi horror quote Dracula

Oct 15 '12

popculturebrain:

Trailer: ‘Carrie’ - March 15

Directed by Kim Pierce, starring Chloe Grace Moretz, Julianne Moore, and Judy Greer.

This is the trailer that was shown at NYCC. It’s not much of the movie itself, but the sweeping shot of mass destruction sets up the tone immediately while cluing you into the scale of the remake. Then you get Moretz’s mug at the end, which speaks volumes in just seconds.

(via Yahoo!)

225 notes (via popculturebrain)

Oct 13 '12

4,045 notes (via omgthatdress)Tags: predditors feminism feminist

Oct 8 '12

4,221 notes (via camembertlylegal & nychthemeral)

Oct 5 '12
clambistro:

feministfilm:

(Screencap from The House of the Devil by jurassicsquid)
It’s October (and I’m jobless), so, as you can expect, there’s gonna be a whole lot of horror around here. I’m offering to you the Feminist Film 2012 Horror Marathon, a (by no means exhaustive) list of horror films of (festive) feminist interest. I forced myself to narrow down five essential picks for Feminist Film readers—the five I’m most excited about right now, the five I think you’ve gotta see—and those are marked with a (†). The asterisk (*) denotes films that are specifically on my own personal watch list for this month, most of which I haven’t seen.
Keep in mind that the majority of these films involve gore and violence against women, and many of them also contain sexual assault and abuse. If you have any concerns before you watch a film, I’m totally willing to let you know in more detail what kind of issues the film has. Stay safe!
Here’s the roll:
American Psycho (2000)Audition (1999)†Blood Diner (1987)Blood Feast (1963)Cabin Fever (2002)Cabin Fever 2: Spring Fever (2009)Carrie (1976)The Company of Wolves (1984)*Dead Hooker in a Trunk (2009)*The Descent (2005)*The Devil’s Rejects (2005)The Exorcism of Emily Rose (2005)Eyes Without a Face (1960)*Ginger Snaps (2000)†Halloween (1978)The Haunting (1963)Hausu (1977)*House of 1000 Corpses (2003)The House by the Cemetery (1981)*The House of the Devil (2009)†In My Skin (2002)*The Innkeepers (2011)Jennifer’s Body (2009)The Last Exorcism (2010)The Last House on the Left (1972 and/or 2009 remake)Let’s Scare Jessica to Death (1971)*The Loved Ones (2009)†May (2002)*The Orphanage (2007)*Repulsion (1965)*Requiem (2006)Rosemary’s Baby (1968)Santa Sangre (1989)*Scream (1996)Severe Injuries (2003)The Shining (1980)Shutter (2004)*Silent House (2010)*Sleepaway Camp (1983)Sleepaway Camp II: Unhappy Campers (1988) Slumber Party Massacre (1982)Splatter Movie: The Director’s Cut (2008)Suspiria (1977)*A Tale of Two Sisters (2008)Teeth (2007)Trick ‘r Treat (2007)Trouble Every Day (2001)*V/H/S (2012)†Wolf Creek (2005)The Woman in Black (2012)*
I’m also in the mood to watch tons of haunted house films, a Mario Bava or two, something else from the New French Extremity school, the entire Texas Chainsaw franchise, that remake of The Wicker Man with Nic Cage, some of the Saw films,and basically every widely distributed horror film from the past ten years. Not to mention whatever’s in theaters (I’m really itching for that J-Law number!)
I’ve watched quite a few horror films so far this Fall, many of which are on this list and many of which are less relevant, including I Know What You Did Last Summer, Poltergeist, The Reaping, The Cabin in the Woods, the entire Paranormal Activity franchise (the third made up for the first two and I admit I’m excited for number four), The Blair Witch Project, The Possession, The Unborn, The Devil Inside, Hellraiser, and Pieces.
I’ll be rebloggin’ relevant horror posts from across tumblr all month. If you’re a horror fan and and looking for good gif blogs to follow, attackofthegiantants is one of the best around. (Gore warning, of course.) I think it’s really important to support women who are producing knowledge and material in fandoms, and gifs are such a big part of the horror fandom. (Also, keep an eye out for attackofthegiantants’s horror heroine series, which I’ll continue to reblog here.)
As always, submit!

I AM SO EXCITED ABOUT THIS

clambistro:

feministfilm:

(Screencap from The House of the Devil by jurassicsquid)

It’s October (and I’m jobless), so, as you can expect, there’s gonna be a whole lot of horror around here. I’m offering to you the Feminist Film 2012 Horror Marathon, a (by no means exhaustive) list of horror films of (festive) feminist interest. I forced myself to narrow down five essential picks for Feminist Film readers—the five I’m most excited about right now, the five I think you’ve gotta see—and those are marked with a (). The asterisk (*) denotes films that are specifically on my own personal watch list for this month, most of which I haven’t seen.

Keep in mind that the majority of these films involve gore and violence against women, and many of them also contain sexual assault and abuse. If you have any concerns before you watch a film, I’m totally willing to let you know in more detail what kind of issues the film has. Stay safe!

Here’s the roll:

American Psycho (2000)
Audition
(1999)
Blood Diner (1987)
Blood Feast (1963)
Cabin Fever (2002)
Cabin Fever 2: Spring Fever (2009)
Carrie (1976)
The Company of Wolves (1984)*
Dead Hooker in a Trunk (2009)*
The Descent (2005)*
The Devil’s Rejects (2005)
The Exorcism of Emily Rose (2005)
Eyes Without a Face (1960)*
Ginger Snaps (2000)
Halloween (1978)
The Haunting (1963)
Hausu (1977)*
House of 1000 Corpses (2003)
The House by the Cemetery (1981)*
The House of the Devil (2009)
In My Skin (2002)*
The Innkeepers (2011)
Jennifer’s Body (2009)
The Last Exorcism (2010)
The Last House on the Left (1972 and/or 2009 remake)
Let’s Scare Jessica to Death (1971)*
The Loved Ones (2009)
May (2002)*
The Orphanage (2007)*
Repulsion (1965)*
Requiem (2006)
Rosemary’s Baby (1968)
Santa Sangre (1989)*
Scream (1996)
Severe Injuries (2003)
The Shining (1980)
Shutter (2004)*
Silent House (2010)*
Sleepaway Camp (1983)
Sleepaway Camp II: Unhappy Campers (1988)
Slumber Party Massacre (1982)
Splatter Movie: The Director’s Cut (2008)
Suspiria (1977)*
A Tale of Two Sisters (2008)
Teeth (2007)
Trick ‘r Treat (2007)
Trouble Every Day (2001)*
V/H/S (2012)
Wolf Creek (2005)
The Woman in Black (2012)*

I’m also in the mood to watch tons of haunted house films, a Mario Bava or two, something else from the New French Extremity school, the entire Texas Chainsaw franchise, that remake of The Wicker Man with Nic Cage, some of the Saw films,and basically every widely distributed horror film from the past ten years. Not to mention whatever’s in theaters (I’m really itching for that J-Law number!)

I’ve watched quite a few horror films so far this Fall, many of which are on this list and many of which are less relevant, including I Know What You Did Last Summer, Poltergeist, The Reaping, The Cabin in the Woods, the entire Paranormal Activity franchise (the third made up for the first two and I admit I’m excited for number four), The Blair Witch Project, The Possession, The Unborn, The Devil Inside, Hellraiser, and Pieces.

I’ll be rebloggin’ relevant horror posts from across tumblr all month. If you’re a horror fan and and looking for good gif blogs to follow, attackofthegiantants is one of the best around. (Gore warning, of course.) I think it’s really important to support women who are producing knowledge and material in fandoms, and gifs are such a big part of the horror fandom. (Also, keep an eye out for attackofthegiantants’s horror heroine series, which I’ll continue to reblog here.)

As always, submit!

I AM SO EXCITED ABOUT THIS

298 notes (via annachronism & feministfilm)

Aug 13 '12
juliancallos:

Blood Bond

juliancallos:

Blood Bond

7,540 notes (via juliancallos)Tags: let the right one in

Apr 23 '12

A calm, rational, and non-obscene defense of studying the arts and why the arts matter.

cwnerd12:

I honestly do not understand how anyone can live in a society as deeply visual, communicative, and entertainment-based as ours and say that the arts are unimportant.  Look around you.  What are you sitting on?  A chair or a sofa that someone had to design so that it was both comfortable and visually pleasing.  What are you listening to?  A song that makes you feel happy.  What are you doing?  Blogging on an image-based blogging platform that a.) somebody had to design, and b.) had to be filled with original content.  Someone recently sent me a note on OMG, that Dress! asking what my post about the arts had “anything to do with my silly blog.” (word-for-word quote).  If OMG that dress! is so silly, why are you following it?  Why do 27,876 (and counting!) followers allow for their ever so important tumblr dashboards to be filled with 45 daily posts related to the “frivolous” subject of fashion?  Why are you wearing jeans and a t-shirt when a sack will suffice?

Science likes to claim that it has the advantage of saving lives, but the arts do that, too.  I mean, how many kids out there do you know who say they felt so lonely and misunderstood and suicidal until they saw something on TV or heard a song that said to them that they weren’t alone and that there was hope and life would be worth living?  How many people out there have seen movies or read books that made you re-consider your values and ethics and become a better person?  As a writer and a history geek, I won’t even get into the impact that books like Uncle Tom’s Cabin and The Gulag Archipelago have had on world politics and history.  (They helped end slavery and bring down The Soviet Union, in case you didn’t know.)  As Aleksandr Solzhenitsyn himself once said, “Falsehood can stand against much in this world, but not against art.”  Science makes you live, but the arts make life worth living.

In regards to the original article, “The 13 Most Useless College Majors (According to Science),” having studies Sociology, my inner sociologist will tell you to consider the source.  According to Science.  Of course Scientists are going to tell you that Science is the most important thing in the world, just like I, as a writer am telling you about the importance of the arts.  The world of science is a black and white one where a+b=c and there are no possible variants on the truth.  To bring out another quote, Albert Einstein this time, “Logic will get you from A to B, but creativity will get you everywhere.”

When I see commercials for big companies that rely on science expounding the virtues of teaching our children math and science and lamenting the fact that American children are placed much too low in the world rankings of math and science scores, I can’t help but wonder if the answer to this “problem” isn’t obvious: by pushing math and science as the only things that matter, we’re forgetting the creative spark, the ability to go outside of logic and create the next big thing, find the life-saving cure, or solve the mysteries of the universe.  

From a feminist perspective, of course math and science are going to be considered “superior” because they are traditionally masculine pursuits.  Even more than that, things like fashion and literature are going to be disparaged because they are woman’s things.  The enemy here isn’t the math and science itself, and any woman who wants to pursue math and science should be encouraged to do so.  But women are socialized to be creative.  To sit still and do nice girly things like read and draw while boys go out and build things and solve problems.  And then when we want to study the arts or English in college, we get looked down upon and the passions we have been raised to have are called useless.  It doesn’t just affect women.  If a man says to you in all seriousness that his true passion is acting and that he wants to study theater, what assumptions come to mind?  (answer: He’s GAAAAY.  Never mind how we think of Brad Pitt or George Clooney, a man who admits loving theater is GAAAAAAY, and of course because it’s feminine he’s degrading himself).

As much as I hate to admit it, no matter how many remedial math courses I may have failed, math and science aren’t the enemy here.  It’s the automatic assumption that math and science are superior.  That, even though we made it to the Moon, and we no longer have any Soviet Union or Sputnik to stay on top of, America can only stay on top of the world if it scores the best in math and science, screw the fact that an American hasn’t even been in consideration for a Nobel prize for literature in the past 20 years.  

I’ll admit that I’m passionate about defending the arts because it affects me personally.  I’ve always loved writing, and writing is the only career that I’ve ever wanted to have.  Being a novelist was my dream career, and it still is.  I went to a magnet school for the arts where I studied creative writing, and I even won a pretty major prize from the National Foundation for the Advancement of the Arts my senior year.  When I hit college, I really didn’t know what to do.  I knew that having a career as a novelist was something difficult to do, and it might take me a while.  So I decided I’d study something that I enjoyed but could still offer me a job somehow: history and sociology.  I enjoyed studying both subjects tremendously and still enjoy studying them when I can.  But I’m not a student.  I’m a disorganized mess who can write a novel but not a paper.  Even worse, I had to make math and science requirements, and I’m absolutely incapable of doing any math more complicated than long division.  Worst of all, I really didn’t care about math and science, so I ended up just not doing any of the work.  So I failed.  First out of an honors college, and then out of a community college.  For a long time, I honestly didn’t know what I was going to do with my life.  I was able to educate myself on tumblr, and I was honestly surprised by how much I’ve been able to learn simply by keeping blogs about my interests.  Several months ago, my mother told me about the son of a friend who was studying sound engineering at a college that had a simple, but radical philosophy: that not only do the arts matter, that art is more than what you find in a museum or read in a book, and that the entertainment industry is one of America’s most thriving and profitable industries.  Full Sail University is an online for-profit university that makes no bones about the fact that it is for profit.  It basically promises you two things: one, that you will learn to apply your creative skills to something more profitable, and two, that you will get a job.  I’m currently enrolled in the creative writing program learning to be a screenwriter.  I want to be the next Tina Fay.  Looking back on my experience, I wish that somebody had told me that a writer can be more than a novelist or an English teacher.  But I’m not mad at my previous writing teachers or even the deans at my colleges for withholding some big secret from me.  They never told me I had more options because nobody ever told them that writers and artists have more options.  It’s because of this ridiculous, utterly blind societal assumption that somehow the arts are useless.  And I know there are others like me out there who have tremendous talents being squashed because “it’s not useful.”  It’s not true, and it’s positively toxic.  The arts are all around us, every bit as important as math and science, we just need to open our eyes and see that.

871 notes (via cwnerd12 & cwnerd12)

Mar 13 '12
bohemea:

The Hunger
When a vampiress (Catherine Deneuve) bites her victims, they’re supposed to live forever. Not so for her lover (David Bowie), whose rapid aging leads him to a doc (Susan Sarandon) who specializes in such disorders. Result? The classiest lesbian sex scene in history.
- Out Magazine’s 5 Gay Horror Flicks, March 2011

bohemea:

The Hunger

When a vampiress (Catherine Deneuve) bites her victims, they’re supposed to live forever. Not so for her lover (David Bowie), whose rapid aging leads him to a doc (Susan Sarandon) who specializes in such disorders. Result? The classiest lesbian sex scene in history.

- Out Magazine’s 5 Gay Horror Flicks, March 2011

283 notes (via suicideblonde & bohemea)

Feb 29 '12

suicideblonde:

The Moth Diaries trailer

Starring Sarah Bolger and Lily Cole, directed by Mary Harron, the screenwriter/director of American Psycho and The Notorious Bettie Page - limited release on April 20th

164 notes (via bohemea & suicideblonde)